Was it only us who felt let down by the ending after enjoying every gripping minute?
The performances by Steven Mackintosh, Nicola Walker, Kierston Wareing, Ashley Walters and Warren Brown alone were worth the licence fee, and it could and should provide a masterclass in how to structure a serialised drama. It just seemed like they didn't know what to do with the titular Inside Men at the end. Would Chris forgive the man who admits he would have killed him, letting him give him a lift home? Are Marcus and Gina meant to 'fess all, except their willing involvement, to the police and get away with a few hundred thousand? And John, whose transition from mouse to lion wasn't ever quite true, gives up his freedom and the money?
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